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by Tony Karp
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  Time to go back to vintage lighting  a sorceress puts it through a spell checker.  You can choose the lens fault that gives you the unique look that your film requires.  This is after the style of József Rippl-Rónai.  The first lens was toooo sharp. The second lens was toooo soft. But the third lens had a great cinematic look and luscious, swirly bokeh to die for.  Note: The price of the headset includes the cost of surgery.  I'm old enough to remember when movies were magical. Here I am, adjusting the bokeh on one of my lenses.  In this process, diffusion is reversed by changing when the diffusion is applied.  Poor Snow White. She has to choose just one.  This machine is the very first instrument that can measure a lens's bokeh. The bad news is the data is in imaginary numbers.  in our dry-aging room on its way to becoming a vintage lens.  Here, a software engineer escalates it to the next level.  after being told his lenses are too sharp, and can he maybe add back a little of the flare that he spent years removing.   first cine lens with Autocorrect.  Our artificial intelligence lens computer has come out as non-binary. It now identifies as a Macbook Pro.  adjectives describing intangible characteristics such as "the cinematic look," "bokeh," and "flare," all to be used in advertising literature.  It can shoot pictures from when it was young. It will be used in filming "Indiana Jones and the Pushbutton of Perspicacity."  Thanks, Elon!  Lenses I bought new are now vintage lenses. They weren't vintage when I bought them. Does this make me a time traveler? Am I vintage? - Picture I shot with brand new vintage lens -  Soon, I will melt them down and make them into something more cinematic.  At the teahouse in Unchon-ni - Korea, DMZ, 1964  This artificially intellgent device will watch them for you.  I shot this on my first day in Los Angeles.
Copyright 1957-2024 Tony & Marilyn Karp
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